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A guide to Los Angeles architecture including buildings and styles

a house made of splinters

Peaking in the 1920s and 1930s but still popular today, Mediterranean Revival style draws from an eclectic blend of Spanish Renaissance and Spanish Colonial, Italian Renaissance, Andalusian and Beaux-Arts influences. Commonly found in Florida and Southern California, these homes offer comfort and often integrate interior courtyards and landscaped gardens. Popular in America between 1915 and 1945, French-inspired styles were popularized by soldiers returning home from the World Wars.

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The Traditional style is typified by simple, unadorned facades and low or intermediate pitched roofs, usually with at least one front-facing gable or hip and a large chimney. Normandy's provincial homes featured narrow-eave, steep-hipped roofs, with side-facing gables and sometimes an L-shaped plan placing the front door at the junction of the two wings. Dormer windows often project through the eaves, and these rustic-styled homes are finished in stucco, stone, or brick. Stonework window surrounds, louvered shutters, and delicate wrought iron touches are other signatures of this style.

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It’s sturdy enough to have withstood both a blackmailer’s dynamite attack and the depredations of frat boys, who were given the boot and eventually replaced by an order of Catholic nuns. If you can afford it (and many can’t, a topic not being dealt with here), the impulse that brought millions to live in Southern California also bequeathed us a landscape ornamented with marvelous houses. Houses as delightfully kooky as a neighborhood designed by Tim Burton by way of Gaudí.

a house made of splinters

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What's more, the creation of the VA Loan program lowered the barriers to entry for home ownership. Minimal Traditional homes were perfect for fulfilling the demand for scalable, affordable homes. In fact, it was the predominant residential architectural style in America until it was superseded by Ranch-style homes in the 1950s.

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Thanks to a small team of social workers — it’s truly hard to tell if there are two or three or more — the center isn’t a depressing place, though its Eastern European-standard external architecture might lead you to expect that. The kids celebrate holidays and even get the occasional visitor in a unicorn or Elsa costume. Last month, one of the most surprising Oscar nominees was "A House Made of Splinters," a film that edged out some strong contenders in the Best Documentary category and is getting a VOD and limited theatrical release today. Filmed at an orphanage in Eastern Ukraine before the war began there in February of last year, it's hard to push away thoughts of how much this part of the world has been decimated over the last 12 months. Wilmont’s filmmaking approach is deeply influenced by cinema verité and draws inspiration from luminaries such as the Maysles Brothers and Frederick Wiseman. He skillfully wields the camera as an instrument to establish genuine connections and foster trust with his protagonists.

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A surprise Academy Award® nominee for Best Documentary Feature this year, A House Made of Splinters is the latest work from internationally lauded director and cinematographer, Simon Lereng Wilmont. Born in Copenhagen, Denmark, Wilmont graduated as a Documentary Film Director from The National Film School of Denmark in 2009. His first feature documentary, The Distant Barking of Dogs (2017), premiered at IDFA and received critical acclaim, winning the Best First Appearance award and a Peabody Award in 2020.

Simon Lereng Vilmont and "A House Made of Splinters" - Заборона

Simon Lereng Vilmont and "A House Made of Splinters".

Posted: Tue, 07 Mar 2023 08:00:00 GMT [source]

These homes can be quite tall with steeply sloped roofs and multiple floors. They are often half-timbered, with wood paneling on the upper levels and stone or brickwork below. Hybrid cottage styles might include small porches and gabled dormers in attic stories. Balconies and bay windows are other possible modifications features in more extensive examples of this style. A standard detail is the decorative knee braces holding the extended eaves, from which hanging flower baskets are often hung. Windows on bungalows tend to be double-hung with single panes and simple wooden casements.

Typical detailing includes simple Greek or Roman-style columns or pediments and square chimney stacks. Due to their steeply raked roofs, the front elevation of these homes conceals the sides of the building. American Colonial homes are usually rectangular in shape, but homeowners often add extensions to the side or rear elevations. One home style that’s flourished on the architectural evolutionary tree is the Craftsman bungalow, as identifiably Southern California as the Hollywood sign.

Comfortable open-plan interiors were softened with designer furnishings, and these homes were often intended to be admired as works of art and showcases for design collections. Decorative arches and shady terraces are common features, as are projecting porches over heavy wooden front doors. Windows often are tall with shutters on either side, and where roofs are sloped, the angle tends to be shallow. Overlapping terracotta pantiles co-ordinate with pale yellow or ochre exteriors. Modern versions of this style usually keep the low-angled, projecting eaves and large porches, whilst substituting more modern materials, exteriors with light colors, and additional upper floor space. Natural materials such as stone and wood are preferred, with a focus on a high degree of craftsmanship and easy integration into natural surroundings.

a house made of splinters

Cottage homes in a traditional English style are highly sought-after. Cottage styles often incorporate idiosyncratic layouts, cozier rooms, and curving roof eaves sometimes finished with brickwork or mock-thatch. That’s not to say that “A House Made of Splinters” — the title seemingly alluding to the broken-off lives contained within — is entirely a downbeat exercise. Rather, it’s an affecting diary of life continuing in the worst of circumstances, disrupted equally by sorrow and fleeting joy. Take the opening sequence, following a social worker as she perkily breezes through the dorms with a morning wake-up call, jostling bleary-eyed kids into a vigorous musical aerobics routine. “Every tenth door here hides a broken family,” the voiceover continues, describing the shattered region that the shelter serves; here, staff forge a sense of family from the fragments.

Her deadline is approaching, after which she may be sent to an orphanage, unless her estranged grandmother agrees to be her guardian — not a given in such fraught times. For the younger, cherub-faced Sasha, blood relatives are not an option, though when a lonely single woman expresses an interest in fostering her, the film is warmed by the promise of mutual healing. The Lysychansk Center for The Social and Psychological Rehabilitation of Children is designed to be temporary. Children can only stay there for nine months before they have to either find guardianship or be sent off to orphanages.

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